Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
A modern version of the great C minor Mass for around a fiver may seem a tempting proposition, especially given...
Reviewed by Richard Wigmore in issue: 11/1999
This survey of more than half a century of John Joubert’s composing life focuses on works for a relatively small...
Reviewed by Arnold Whittall in issue: 1/2010
This is the digital recording of Scheherazade we have been waiting for. It has the freshness of impact of Haitink's...
Reviewed by Ivan March in issue: 10/1990
Shchedrin’s 2002 “opera for the concert stage” tells, in highly condensed form, Leskov’s story of the archetypal Russian life (actually...
Reviewed by David Fanning in issue: 7/2010
Former soloist in the Vienna Boys’ Choir, Arno Raunig has kept and developed his soprano voice with an easy range...
Reviewed in issue 11/1998
Not even the devoted efforts of Falla’s pupil Ernesto Halffter could succeed – despite putting together two distinct versions –...
Reviewed by Lionel Salter in issue: 1/1997
The insert booklet's statement that the viola d'amore ''appeared as a solo instrument in six of his [Vivaldi's] concertos'' is...
Reviewed by John Duarte in issue: 2/1987
This music certainly benefits from being heard on original instruments. The sound of the Christopher Clarke copy of a 1795...
Reviewed by DuncanDruce in issue: 3/2000
No sooner had I welcomed Doris Lederer’s supple account of Bax’s Viola Sonata with Jane Coop than along comes a...
Reviewed by Andrew Achenbach in issue: 1/2007
Vladimir Ashkenazy’s indefatigable enthusiasm for making music has latterly embraced unexpected corners of the repertoire and collaborations with orchestras and...
Reviewed by David Gutman in issue: 5/2009
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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