Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Urtext has been steadily producing a fascinating series of discs of music from Mexico, using by and large Mexican musicians....
Reviewed by Ivan Moody in issue: /2000
Though only No. 13 can be dated with certainty, all four works here belong to the years 1760-63, spanning Haydn's...
Reviewed by Richard Wigmore in issue: 3/1994
How many Chôros are there? Fourteen numbered examples (with two claimed as “lost”), two Chôros bis, a Wind Quintet en...
Reviewed by Guy Rickards in issue: 10/2008
To say that Paolo Giacometti measures up well to the classic versions listed above is to say a great deal....
Reviewed by David Fanning in issue: 12/2002
Karina Gauvin is a remarkable Canadian soprano with a wonderfully fresh and firm voice. Francophone herself, she is ideally suited...
Reviewed by Edward Greenfield in issue: 7/2011
Barenboim's way with Mozart's piano concertos is well known and has rightly won praise: he imparts energy and a feeling...
Reviewed by Christopher Headington in issue: 3/1988
This is an ambitious recital from Sumi Jo, who is developing into one of the most accomplished sopranos of our...
Reviewed by Patrick O'Connor in issue: 12/1997
Of the six violin concertos by Tartini in the current Gramophone Classical Catalogue, only one (D96) is duplicated here; as...
Reviewed by John Duarte in issue: 9/1996
This is an uncommonly interesting examination of how a great Handel opera may be performed without insisting that only Baroque...
Reviewed in issue 8/2002
‘I put a great deal of time (and emotion) into the writing … it should be very broad indeed, with...
Reviewed by Andrew Achenbach in issue: 6/1999
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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