Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Paganini would surely have been utterly astonished. Sarah Chang (Gramophone's 1993 Young Artist of the year) who has already given...
Reviewed by Ivan March in issue: 1/1995
As joyful and awe-inspiring as John Eliot Gardiner’s commemorative Bach Cantata Pilgrimage surely was, it must also have been an...
Reviewed by Andrew Farach-Colton in issue: 8/2005
There are several choral contributions in Romeo et Juliette—setting the scene after the orchestral introduction, echoing the tenor's words in...
Reviewed by Lionel Salter in issue: 8/1990
Late works from Trinity 1726 and a revered and substantial Advent cantata constitute this variable volume of readings from Masaaki...
Reviewed by Jonathan Freeman-Attwood in issue: 2/2011
Fiftytwo minutes is all it takes to cover Webern’s orchestral music‚ at least if the early tonepoem Im Sommerwind and...
Reviewed in issue 2/2002
Mark-André Hamelin’s second set of Haydn sonatas confirms the adulation that greeted his first. Yet, if anything, it is even...
Reviewed by Bryce Morrison in issue: 10/2009
The so-called Renaissance Concerto (dating from 1986) could, I think, build itself quite a following among deprived; flautists in search...
Reviewed by Edward Seckerson in issue: 10/1989
‘Dream’, ‘Slow’, ‘Twilight’: these are the kind of words that give the key to Takemitsu’s later style, and all the...
Reviewed by Arnold Whittall in issue: 3/1999
Naïve’s monumental Vivaldi series continues its sensible policy of mixing chamber cantatas and concertos in this third volume, in which...
Reviewed by Lindsay Kemp in issue: 11/2005
Pretre as a Strauss conductor is not an automatic association of ideas until one remembers that he made his Paris...
Reviewed in issue 2/1986
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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