Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
So far Nielsen's music to Adam Oehlenschlager's Aladdin has been known only from the (relatively familiar) seven-movement suite, Op. 34,...
Reviewed by Robert Layton in issue: 5/1993
Premiered in 1969 by Janos Starker, Miklos Rozsa’s Cello Concerto is a substantial, concentrated and (above all) superbly accomplished creation....
Reviewed by Andrew Achenbach in issue: 9/1996
Composed in 1906, Grechaninov’s First Piano Trio is a typical product of Russia’s ‘Silver Age’: typical in its expert, school-of-Rimsky...
Reviewed in issue 13/1997
I had not heard Kun Woo Paik play Fauré before‚ and could not help noticing before I began listening that...
Reviewed in issue 7/2002
Kempff was already almost 63 when recording these works some 33 years before he died. With his essentially Germanic musical...
Reviewed by Joan Chissell in issue: 3/1997
More proof—and it seems it's still needed—that the best place to go hunting for neglected masterworks is amongst the works...
Reviewed by Stephen Johnson in issue: 6/1991
With both these new issues of Tchaikovsky's Fourth the fill-ups, valuable and unexpected, are a prime consideration, particularly in relation...
Reviewed by Edward Greenfield in issue: 7/1991
While Johann Baptist Vanhal’s eminence among Viennese composers of the classical period has always ensured a steady trickle of recordings...
Reviewed in issue 7/2001
The generous and attractive coupling of the Beethoven and Mendelssohn concertos is surprisingly rare. Historic recordings by Menuhin, Szigeti, Milstein...
Reviewed by Edward Greenfield in issue: 4/1998
On this showing the Hungarian National Philharmonic are certainly an enthusiastic, even boisterous lot; standards of ensemble and intonation are...
Reviewed by Andrew Achenbach in issue: 6/1993
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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