Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
The sleeve promises a ‘memorable audiovisual experience’ featuring ‘spectacular images which enhance the symbolic meaning attributed to each planet by...
Reviewed by Andrew Achenbach in issue: 8/2005
''Neue Wiener Schule'', proclaims the heading. Today, the ''new Viennese school'' ought to be the likes of H. K. Gruber...
Reviewed by Arnold Whittall in issue: 6/1987
''... He played for an hour or so on the great, long piano with its strong sound, already quite battered,...
Reviewed by Stephen Plaistow in issue: 4/1989
I raved about the first volume in this series which contained all Cage’s music for prepared piano performed to the...
Reviewed by Peter Dickinson in issue: 13/1998
What is to become of French opera if the French themselves take so little interest in it? The list of...
Reviewed by Patrick O'Connor in issue: 10/1999
In the days of 78s‚ a singer might record a couple of light songs‚ and the disc would achieve collectors’...
Reviewed in issue 4/2002
Schubert and Schoenberg are the chalk and the cheese at either end of Viennese romanticism. Schoenberg was well aware of...
Reviewed by Arnold Whittall in issue: 1/2000
Given Josquin’s stature it is barely credible that a couple of his Masses still await representation on CD. I can...
Reviewed in issue 11/2001
Commissioned as a 24-year-old to compose and perform a piano concerto for the 1938 Proms, Britten played safe. None of...
Reviewed by Arnold Whittall in issue: 10/2008
This an attractive and stimulating follow-up to Meridian’s first collection of Alan Bush’s chamber music (11/02), a medium in which...
Reviewed by Ivan March in issue: 1/2005
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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