Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Conductor and pianist Stanley Black wore many hats in the world of light music, including that of music director for...
Reviewed by Adrian Edwards in issue: 7/2005
First came Carols for Choirs‚ then the new Oxford Book of Carols and now Noël!. New carol anthologies appear as...
Reviewed in issue 12/2001
The solo playing of Jeremy Menuhin and his artistic partnership with his father is not overgenerously represented on record, so...
Reviewed by hfinch in issue: 7/1986
Naïve’s anthology of “New Discoveries” is supervised by Federico Maria Sardelli, an accomplished recorder-player and also a musicologist at the...
Reviewed by David Vickers in issue: 13/2009
John Toll recently succumbed to cancer in his early fifties‚ thus depriving the world of a supreme continuo player‚ in...
Reviewed in issue 2/2002
To my mind, the best of the compositions by the American composer Charles Wuorinen on these discs is the Second...
Reviewed by Arnold Whittall in issue: 7/1993
Neither of these song cycles was originally written with orchestral accompaniment. On Wenlock Edge was scored for accompaniment of piano...
Reviewed in issue 9/1984
It would of course be perfectly possible for a suitably instructed computer to perform Terry Riley’s In C on electronic...
Reviewed in issue 7/2002
How shocking that this inspired reading of the Beethoven Violin Concerto, with Menuhin directing his own Festival Orchestra, should have...
Reviewed by Edward Greenfield in issue: 10/2003
This latest version of Harold in Italy, the most richly recorded yet, not only brings the characterful viola playing of...
Reviewed by Edward Greenfield in issue: 8/1988
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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