Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Many artists have rightly said that you shouldn't play a work unless you love it, a sermon that seems not...
Reviewed by John Duarte in issue: 1/1986
Small works perhaps, not in the same league as the masterpieces of the genre to come, but far from small...
Reviewed by Nalen Anthoni in issue: 9/2010
In reviewing this set on its first appearance I registered admiration rather than unqualified pleasure. This superb ensemble has all...
Reviewed by Robert Layton in issue: 8/1986
The first of Karajan's three Berlin Brahms cycles (1963) was, by general consent, his finest for DG. As to which...
Reviewed in issue 7/1995
This is Chopin presented with a difference. For here Kevin Kenner follows a reeling path, moving effortlessly from Chopin through...
Reviewed by Bryce Morrison in issue: 4/2011
Felicity Lott's most recent Wigmore Hall recital showed her to be ever more relaxed and ever more sharply focused as...
Reviewed by hfinch in issue: 10/1989
In the 20 years from 1936 to 1956, Ludwig Weber was a commanding figure in the field of German opera....
Reviewed by Alan Blyth in issue: 7/1999
When these recordings were first issued, over a quarter of a century ago, Roger Fiske, Malcolm MacDonald and I all...
Reviewed by Lionel Salter in issue: 11/1995
The lirico-spinto repertoire of the tenor in Verdi is well represented here, the lirico part by arias from La traviata...
Reviewed by John Steane in issue: 11/2000
Prokofiev and Shostakovich reacted to the anti-formalist purges of 1948 in opposite ways. For Shostakovich it was a question of...
Reviewed in issue 10/1988
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.