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Review of Charpentier, M-A Sacred Music, Vol 4

Charpentier, M-A Sacred Music, Vol 4

This is the fourth volume of Charpentier sacred music to have come from Le Concert Spirituel, and appears after a...

Reviewed by Lindsay Kemp in issue: 8/2000

Review of Beethoven Symphony 5; Leonora Overtures

Beethoven Symphony 5; Leonora Overtures

A solidly played, warm-toned account of the Fifth Symphony will probably excite someone unfamiliar with the music but it can...

Reviewed by Richard Osborne in issue: 1/1990

Review of Schumann, C and R Lieder

Schumann, C and R Lieder

Schumann’s songs are surely performed now more frequently than at any period in the past. At the same time has...

Reviewed in issue 5/2002

Review of Passacaglia

Passacaglia

Regent Records have the happy knack of making fine recordings of instruments that are slightly off the beaten track but...

Reviewed by Malcolm Riley in issue: 1/2010

Review of Offenbach Le vie parisienne

Offenbach Le vie parisienne

As the author of the notes accompanying this recording points out, it is no mean achievement for a show that...

Reviewed by Andrew Lamb in issue: 1/1987

Review of String Quartets

String Quartets

I'm not quite sure what cover design I'd have chosen for this collection. A Raphael drawing, to suggest the conservatism...

Reviewed by Michael Oliver in issue: 12/1993

Review of Schubert Winterreise

Schubert Winterreise

This is a decidedly offbeat issue. In addition to an absorbing interpretation of Winterreise, which comprises the second CD, we...

Reviewed by Alan Blyth in issue: 6/1992

Review of Bach & Mozart: Violin Concertos

Bach & Mozart: Violin Concertos

The Polish-born Huberman was 51 years old when he recorded these concertos in two days in June 1934. His style...

Reviewed in issue 8/1989

Review of The Singing Club

The Singing Club

This is not the Hilliard Ensemble's first record of part-songs, catches and glees. Unlike its two predecessors (Meridian E77002, 6/78...

Reviewed in issue 9/1985

Review of Mahler Symphony No 8

Mahler Symphony No 8

Sir Colin Davis may not be an instinctive Mahlerian like Leonard Bernstein or Klaus Tennstedt but he is usually at...

Reviewed in issue 6/1997


 

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