Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
This imaginative recital disc dips into the bubbling cauldron of artistic ideas that distinguished Paris in the early decades of...
Reviewed by Geoffrey Norris in issue: 4/2011
Sir Mark Elder’s studio recording of the First Symphony arrives hard on the heels of Sir Colin Davis’s concert version...
Reviewed by David Gutman in issue: 6/2009
Acis et Galatee was Lully’s last completed opera, and one of his greatest. A pastoral heroique performed in 1686 to...
Reviewed by Lionel Salter in issue: 13/1998
It is apt that this excellent new version of the Franck Symphony, the most important orchestral work by the greatest...
Reviewed by Edward Greenfield in issue: 4/2006
Good to hear Souvenir de Florence played as chamber music, with finesse as well as passion. The finale feels like...
Reviewed by kYlzrO1BaC7A in issue: 6/1998
Look at what Bach said: ‘Six sonatas for obbligato harpsichord and solo violin with a bass accompanied by a viola...
Reviewed by Nalen Anthoni in issue: 6/2005
That supremely dystopian Austrian novelist Thomas Bernhard once described Christine Lavant’s writing as “testimony to a destroyed world”. In building...
Reviewed by Arnold Whittall in issue: 3/2011
As Andre Tubeuf points out in his note to this distinguished reissue, the bicentenary of Mozart's birth in 1956 was...
Reviewed by Richard Osborne in issue: 3/1991
Exactly what medium-price Altarus have in mind for this 22-minute disc I don't know; but if you have the slightest...
Reviewed in issue 5/1991
Sir Simon Rattle previously recorded Deryck Cooke's performing version of Mahler's incomplete Tenth in June 1980. He was not the...
Reviewed by David Gutman in issue: 5/2000
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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