Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
It has been far too easy in the past to see French chanson composers in the second half of the...
Reviewed by David Fallows in issue: 2/1995
A curious mixture of a performance. It is presumably based on a production by the Slovak National Theatre in Bratislava...
Reviewed by Michael Oliver in issue: 5/1990
Regina Resnik made her Covent Garden debut as Carmen in 1957, and four years later recorded the role for Decca....
Reviewed by hfinch in issue: 3/1993
No one can complain that Czechoslovakia and Marco Polo are failing to make a significant contribution to the recording of...
Reviewed in issue 10/1990
In Segovia at Los Olivos, the guitarist relates how he first entered Manuel Ramírez’s shop, extravagantly dressed and wielding a...
Reviewed by William Yeoman in issue: 2/2006
Though a version of Mendelssohn’s C minor Sonata for viola and piano (from Koch and Keller) is still listed in...
Reviewed by Joan Chissell in issue: 13/1997
This is a delightful record. Almost all these pieces are known best as orchestral music, but here they scintillate in...
Reviewed by Ivan March in issue: 5/1993
When Trevor Pinnock first recorded the Brandenburgs with the English Concert for DG Archiv in 1982, period performances of these...
Reviewed by Lindsay Kemp in issue: 3/2008
Volume 26 in Hyperion’s engrossing if uneven ‘Romantic Piano Concerto’ series completes Peter Donohoe’s magisterial survey of Litolff’s five piano...
Reviewed in issue 10/2001
There was I, in a review of a CD called ‘East Meets West’ (Warner Classics, 8/04), citing Mozart’s flirtation with...
Reviewed by bwitherden in issue: 10/2004
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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