Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
One of the oldest musical organizations in Berlin (a city celebrating its 750th anniversary) is the Singakademie, now only four...
Reviewed by Lionel Salter in issue: 9/1987
EMI have some explaining to do. This integrale of Debussy's songs contains 60 items; yet the booklet note states, without...
Reviewed by Lionel Salter in issue: 5/1992
As the musicologist Rui Vieira Nery points out in his excellent notes to this album of music from the time...
Reviewed by Tess Knighton in issue: 5/2005
René Jacobs always brings new ideas to the operas he conducts, and even to a work as familiar as Figaro...
Reviewed by Stanley Sadie in issue: 5/2004
This is an admirable recording: intelligently conceived and well performed. Both cantatas open with a chorus in the shape of...
Reviewed by Richard Lawrence in issue: 12/2010
I have always thought of Nikita Magaloff (1912-92) as rather a dry old bird, an impression confirmed by the Chopin...
Reviewed by Jeremy Nicholas in issue: 3/2005
It’s pleasant to see the ‘first family’ in their home surroundings and Robert does nice take-offs of the pianist flamboyant...
Reviewed by Bryce Morrison in issue: 2/2005
As the contemporary volume in Teldec’s Barenboim retrospective, this set features a varied selection of music written over a five-year...
Reviewed by kYlzrO1BaC7A in issue: 12/2000
Toscanini's dramatic and skilfully managed account of the Tragic Overture at last finds a worthy partner in his live Queen's...
Reviewed by Richard Osborne in issue: 10/1989
The Gothic is legendary for its length, for its everything-but-the-kitchen-sink scoring and for having been left unperformed (despite being widely...
Reviewed by Michael Oliver in issue: 7/1990
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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