Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
This recital of the complete Verdi-Liszt operatic paraphrases is an exact duplication of Claudio Arrau's much-celebrated Philips LP (now part...
Reviewed by Bryce Morrison in issue: 6/1994
Ideas of what constitutes the recorder sonatas of Handel tend to vary. For Frenchman Hugo Reyne it means the four...
Reviewed by Lindsay Kemp in issue: 9/1992
The Berlin Academy for Ancient Music are an ensemble of musicians who play period instruments—and very well, too. They were...
Reviewed by Nicholas Anderson in issue: 7/1987
Halka has held the stage in Poland ever since the premiere of its final four-act version in 1858; in Warsaw...
Reviewed by Michael Oliver in issue: 8/1988
I don't like ''King Of Belcanto'' which is this record's title, but I do (with some qualifications) like Giuseppe Morino....
Reviewed in issue 10/1990
Now in his late forties, Huw Spratling is a composer with a long list of works to his name, but...
Reviewed in issue 3/1997
Three modern recordings of the D minor Piano Concerto on period instruments have now appeared here since the beginning of...
Reviewed by Stephen Plaistow in issue: 5/1988
Comparing the Brandis and Melos Quartets in Bruckner’s Quintet is fascinating in that the former draws – by interpretative inference...
Reviewed in issue 12/1996
Created in 2006 by the English choral director Mark Opstad, the Maîtrise de Toulouse offers a specialist musical education to...
Reviewed by Malcolm Riley in issue: 3/2011
John Copley’s production, on which this live recording is based, was effectively the staging that put Werther into the operatic...
Reviewed in issue 7/2000
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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