Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
A complete performance of Pears and Britten interpreting a work by the latter written for the former is a valuable...
Reviewed by Alan Blyth in issue: 11/2004
A warm welcome to this anthology of Rameau's chamber cantatas. The original two-record album was issued early in 1985 and...
Reviewed by Nicholas Anderson in issue: 6/1986
Born in 1772 in a city part German, part Polish, and of an Italian father, Antonio Casimir Cartellieri worked chiefly...
Reviewed by Stanley Sadie in issue: 7/2000
No woodwind instrument has a large solo repertory, but the flute has been better served than most, and several recitals...
Reviewed by Christopher Headington in issue: 11/1991
The completist in me recalls that there are authentic piano transcriptions of the Petrushka, The Rite of Spring and Firebird...
Reviewed in issue 2/1998
This is a wonderfully wholesome meal of somewhat neglected organ music composed by five of the most important French mâitres....
Reviewed by Malcolm Riley in issue: 11/2007
There is a little more separation of timbre in the sound of Haitink's new Brahms Fourth and Haydn Variations than...
Reviewed by John Steane in issue: 9/1994
Begun in spring 1949, the Third Symphony cost Wellesz unusual effort: it was not until autumn 1951 that he completed...
Reviewed by Guy Rickards in issue: 13/2005
Gerald Finzi's obsession with the poetry of Thomas Hardy led to one of the most important contributions to the twentieth-century...
Reviewed in issue 3/1990
“I didn’t know that Angelina Jolie could sing!” remarked an ironic blogger in one of several YouTube videos of Georgian...
Reviewed by David Patrick Stearns in issue: 13/2011
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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