Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
We collectors being a tidy-minded crew, it is gratifying to have released within a few months of one another both...
Reviewed by Richard Osborne in issue: 8/2003
Schwarz turns in a lithe and energetic Miraculous Mandarin, but he isn't about to keep you awake at nights; this...
Reviewed by Edward Seckerson in issue: 4/1990
Such has been the admiration (if not always affection) for René Jacobs’s Mozart operas, and so striking have been the...
Reviewed by Lindsay Kemp in issue: 5/2007
The explanation of how these computer animations were devised is considerably longer than this entire review‚ but‚ put crudely‚ the...
Reviewed in issue 10/2002
With her strong, vibrant tone and wide-awake personality, Jennifer Larmore captures attention immediately, and with a reassuring degree of consistency...
Reviewed in issue 12/1995
One of the first things to strike the listener in this new recording of Bach's Goldberg Variations is the fine...
Reviewed by Nicholas Anderson in issue: 4/1994
When these recordings first appeared Birtwistle enthusiasts were still absorbing the impact of three 1986 premieres, Earth Dances, The Mask...
Reviewed by Arnold Whittall in issue: 13/2008
The growing profusion of new versions of the key repertoire works, truthfully recorded, often brings a critical dilemma, and this...
Reviewed by Ivan March in issue: 2/1991
Producers’ visions can make or break opera or operetta on DVD. Lotfi Mansouri’s farewell production for San Francisco Opera, presented...
Reviewed by Andrew Lamb in issue: 9/2003
The more of Reicha’s vast output becomes known, the odder he seems – ‘bizarre’, as his puzzled contemporaries repeatedly called...
Reviewed by John Warrack in issue: 13/1997
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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