Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
An issue of outstanding importance. King Candaules, based on a play by Andre Gide, is Zemlinsky’s last opera, written during...
Reviewed by Michael Oliver in issue: 9/1997
Interest here is likely to centre on the hitherto unrecorded, and still unpublished, incidental music Falla wrote in 1927 for...
Reviewed by Lionel Salter in issue: 5/1993
Now we can hear how Shostakovich’s Fourth Symphony might have begun. Anyone present at Mstislav Rostropovich’s unforgettable Shostakovich Festival at...
Reviewed by Edward Seckerson in issue: 1/2005
Here's an unfashionable record in this age of authenticity and back-to-the-original. Full-blown orchestral arrangements of Handel are hardly the thing,...
Reviewed in issue 7/1988
These three composers are linked through their place in the venerable tradition of Cesar Franck, as R. G. Vicar’s generous...
Reviewed by Peter Dickinson in issue: 4/1998
Writing in June about the Beecham La boheme on EMI, I called it ''as complete a distillation of Puccini's drama...
Reviewed by Michael Oliver in issue: 11/1987
Good conductors tend to have their hinterlands – works they know well but would never touch themselves – and Karajan’s...
Reviewed by Peter Quantrill in issue: 8/2008
Stravinsky spent over three decades in America, and the achievements of those years cannot be summarized in a single CD....
Reviewed by Michael Oliver in issue: 13/1997
The initial volume of Olli Mustonen’s thoughtfully melded sequence of Bach’s ‘48’ (Book 1) and Shostakovich’s ‘24’ Preludes and Fugues...
Reviewed by Rob Cowan in issue: 2/2004
Perhaps the last thing the cover illustration of this double CD set would lead one to expect is a recording...
Reviewed by Andrew Lamb in issue: 5/1994
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.