Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Sternly, even fiercely standing its ground, the Blake cycle is one of Britten’s most unaccommodating works. Closest in its own...
Reviewed by John Steane in issue: 7/2010
My notes on this marvellous issue are littered with amazed adjectives. Fassbaender's daring, all-in style precisely matched, indeed encouraged by...
Reviewed by Alan Blyth in issue: 6/1992
At the première in Paris of Joaquín Turina’s Piano Quintet‚ Isaac Albéniz‚ arriving late‚ asked the person next to him...
Reviewed in issue 10/2002
Boult conducts the first movement of the symphony at a fastish tempo, and takes the repeat. The playing is a...
Reviewed in issue 5/1989
Yet another admirable British Composers collection. The Tear/Handley Elgar and Butterworth items (rarities all—these were, I believe, premiere recordings) were...
Reviewed by Andrew Achenbach in issue: 3/1994
This is the third collection of Paul Bowles’s music that I have heard in the past few months (see reviews...
Reviewed by Michael Oliver in issue: 10/1996
Though using the exterior form of Corelli’s classic baroque sonata da camera form – alternating in tempo slow-fast, slow-fast –...
Reviewed by mquinn in issue: 2/1999
With this four-CD set of the Nocturnes, Mazurkas and Scherzos Naxos completes its bargain reissue of Rubinstein’s 1932-39 HMV Chopin...
Reviewed in issue 6/2001
When a world-famous artist comes to record a very familiar piano work I think it right that a reviewer such...
Reviewed by James Methuen-Campbell in issue: 8/1988
The two ongoing major series of Bach cantatas remind us that there is still much room for new, personal approaches...
Reviewed by Jonathan Freeman-Attwood in issue: 5/2009
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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