Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
The 1991 recording of Ilya Muromets, Reinhold Glière’s epic Third Symphony, was the first the BBC Philharmonic made for Chandos,...
Reviewed by Guy Rickards in issue: 13/2011
Turina’s output of chamber music was relatively modest, some 16 works out of a little over 100 published pieces, five...
Reviewed by Guy Rickards in issue: 8/2007
The French Reformation yielded a large, distinguished and (most of all) varied body of music to suit the new requirements...
Reviewed by Fabrice Fitch in issue: 7/2000
Ernst Krenek died at 91 in 1991 and over the last decade he has deservedly come into his own on...
Reviewed by Peter Dickinson in issue: 8/1998
Bang! This is essential listening for any Reich enthusiast. We kick off with an absolutely vibrant Six Pianos that makes...
Reviewed by Ivan Moody in issue: 13/2005
Haitink's account of the Ninth Symphony is one of the finest achievements in his Shostakovich cycle: what had sometimes seemed...
Reviewed by Michael Oliver in issue: 6/1986
Marriner is becoming quite a master like Beecham himself at compiling lollipop records, and here in the French repertory he...
Reviewed by Edward Greenfield in issue: 11/1984
A musical evening in Paris in the early 1800s could be a cosmopolitan affair. This programme of rarities pairs the...
Reviewed in issue 1/1996
Oberon will always be a problem work. Weber wrote it for a set of English theatrical conventions, in which music...
Reviewed by John Warrack in issue: 6/1993
David Philip Hefti (b1975) has emerged during a period in which the European avant-garde no longer dominates the new music...
Reviewed by Richard_Whitehouse in issue: 13/2010
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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