Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Based on last July’s Royal Festival Hall production – with one cast change – this new HMS Pinafore’s most distinctive...
Reviewed by Andrew Lamb in issue: 7/2000
It’s wonderful how Kreisler’s short pieces for violin and piano continue to hold a fascination for violinists and listeners. Other...
Reviewed by DuncanDruce in issue: 2/2004
Here are two large-scale works from either end of the 1980s by the Australian composer Barry Conyngham (b. 1944), performed...
Reviewed by Arnold Whittall in issue: 2/1994
This second CD from Peter Urquhart’s American ensemble brings some more of Ockeghem’s Masses to the catalogue – The Clerks’...
Reviewed by Fabrice Fitch in issue: 11/1997
An elementary remark, but the immediate reaction to the first sound of the voice is simply ''This man is a...
Reviewed in issue 12/1995
The cleanest and often also the gentlest of violin-playing; Perlman, no stranger to large-scale concertos, adapts very readily to a...
Reviewed in issue 12/1984
Even Berlioz, no great admirer of Hummel, conceded that he wrote some good septets and played the piano well; and...
Reviewed by John Warrack in issue: 5/1991
The second of the series of Mozart concerto recordings Mitsuko Uchida is making with the English Chamber Orchestra and Jeffrey...
Reviewed by Stephen Plaistow in issue: 8/1987
Paganini closely guarded the music of his concertos (not wanting them to fall into the hands of rivals) and the...
Reviewed by Ivan March in issue: 10/1997
These seven separate works, composed between 1992 and 2009, sound as if they are hypnotised by the paradox of their...
Reviewed by Arnold Whittall in issue: 8/2010
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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