Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Nikolaus Harnoncourt boldly proclaims that Orlando Paladino “is one of the best works in 18th-century music theatre”. Written to commemorate...
Reviewed by David Vickers in issue: 10/2006
The Romanian composer Anatol Vieru was born in 1926. His teachers included Constantinescu in Bucharest and Khachaturian in Moscow. He...
Reviewed in issue 4/1995
This fifth and final release of Cortot’s 78rpm Chopin recordings is surely the jewel in the crown. Here, the 1929...
Reviewed by Bryce Morrison in issue: 5/2007
Mackerras and the Prague Chamber Orchestra, having had great success with their Telarc recordings of the later symphonies, are equally...
Reviewed by Edward Greenfield in issue: 9/1990
Kim Walker is a superb modern bassoonist whose gifts could be even better served by more recent repertory. Boismortier's rococo...
Reviewed in issue 5/1988
The bulk of Sibelius’s piano output, like his works for violin or cello with piano, consists of charming (or not...
Reviewed by Guy Rickards in issue: 1/2001
With ‘The Late Schubert’ Russian pianist Oleg Marshev makes a notable departure from his previous recorded repertoire. But with the...
Reviewed by Bryce Morrison in issue: 5/2006
Manon's ''In quelle trine morbide'' opens the recital, and she has no sooner sung the first word than, prepared (momentarily)...
Reviewed in issue 12/1987
Choice between this CD transfer of Lorraine McAslan's performance of Elgar's sonata and that of the Nigel Kennedy interpretation on...
Reviewed in issue 5/1989
The death of Jehan Alain at the age of 29, killed in the early days of the Second World War,...
Reviewed by Lionel Salter in issue: 3/1992
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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