Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Cage idolised Satie and composed two reworkings of his music for solo violin – Cheap Imitation, based on Socrate, and...
Reviewed by Peter Dickinson in issue: 7/2003
Most of Cecile Ousset's recordings so far have been of music on the largest scale: Liszt, Rachmaninov, Mussorgsky, Prokofiev. She...
Reviewed by Michael Oliver in issue: 8/1986
Cellist Li-Wei Qin, born in Shanghai and educated in Australia and the UK, offers a highly accomplished Beethoven sonata cycle...
Reviewed by Harriet Smith in issue: 11/2011
We could use a new Ring on DVD. The versions by Levine and Boulez are ageing and variously unsatisfactory, while...
Reviewed by mscott rohan in issue: 4/2004
One thinks one knows: one thinks one remembers. I thought, for instance, that I'd remembered the NAbucco recording and would...
Reviewed in issue 9/1987
Of all the compositional initiatives undertaken by Rossini during his first Paris residency (1824-29) - the glorious piece d'occasion, Il...
Reviewed by Richard Osborne in issue: 4/2000
Don't be misled by the somewhat restrictive title! Half the music on this disc comes from Lent and Holy Week:...
Reviewed by mberry in issue: 11/1987
Undoubtedly, the best-known works from the deuxieme annee are the three Petrarch Sonnets and the Dante Sonata. Liszt stayed in...
Reviewed by James Methuen-Campbell in issue: 2/1994
Here’s a true and desirable bargain. This, the first digitally recorded cycle to appear on CD, now 13 years ago,...
Reviewed by Alan Blyth in issue: 12/1997
Tennstedt's big, looming account of Mahler's Ninth Symphony appeared before either of the two Karajan versions and must be accounted...
Reviewed by Richard Osborne in issue: 9/1985
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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