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Review of WINTERBERG Symphony No 1. Piano Concerto No 1 (Jonathan Powell)

WINTERBERG Symphony No 1. Piano Concerto No 1 (Jonathan Powell)

Hans Winterberg (1901 91) was interned in Terezín by the Nazis. Unlike so many of his Jewish compatriots there, Winterberg...

Reviewed by Guy Rickards in issue: 08/2022

Review of VAUGHAN WILLIAMS Symphonies Nos 5 & 6 (Boult)

VAUGHAN WILLIAMS Symphonies Nos 5 & 6 (Boult)

The veteran Adrian Boult at the helm of the orchestra he founded and painstakingly moulded into a top-class outfit –...

Reviewed by Andrew Achenbach in issue: 08/2022

Review of TCHAIKOVSKY Symphonies Nos 1 & 3 (Järvi)

TCHAIKOVSKY Symphonies Nos 1 & 3 (Järvi)

Paavo Järvi’s Tchaikovsky cycle with the Zurich Tonhalle Orchestra has come to an end. The last two symphonies, Nos 1...

Reviewed by Marina Frolova-Walker in issue: 08/2022

Review of STRAUSS Three Tone Poems (Welser-Möst)

STRAUSS Three Tone Poems (Welser-Möst)

Strauss’s ‘unfailing mastery’, Franz Welser-Möst tells us in a booklet essay, ‘quite often leaves me speechless and with a wide...

Reviewed by Tim Ashley in issue: 08/2022

Review of STILL Summerland. Violin Suite (Zina Schiff)

STILL Summerland. Violin Suite (Zina Schiff)

This grab-bag programme of works by William Grant Still (1895-1978) spans most of the composer’s long and distinguished career. His...

Reviewed by Andrew Farach-Colton in issue: 08/2022

Review of SHOSTAKOVICH Symphony No 11 (Payare)

SHOSTAKOVICH Symphony No 11 (Payare)

Sonically speaking, this streamed offering from San Diego is right up there with the best we have – yes, even...

Reviewed by Edward Seckerson in issue: 08/2022

Review of SHOSTAKOVICH Symphony No 10 (Sokhiev)

SHOSTAKOVICH Symphony No 10 (Sokhiev)

There’s a great deal to admire here. Some individual new thinking, too. In some ways the Tenth is the most...

Reviewed by Edward Seckerson in issue: 08/2022

Review of MARTINAITYTĖ Ex Tenebris Lux

MARTINAITYTĖ Ex Tenebris Lux

Žibuoklė Martinaitytė (b1973), a Lithuanian composer living in New York, has been building a considerable reputation for herself in recent...

Reviewed by Ivan Moody in issue: 08/2022

Review of MALIPIERO Violin Concertos Nos 1 and 2. Per Una Favola Cavalleresca

MALIPIERO Violin Concertos Nos 1 and 2. Per Una Favola Cavalleresca

Malipiero often appears to be a chameleon, as Naxos’s fine recordings of his work over recent years have demonstrated, but...

Reviewed by Ivan Moody in issue: 08/2022

Review of LISZT Piano Concertos Nos 1 & 2. Piano Sonata (Alexander Ullman)

LISZT Piano Concertos Nos 1 & 2. Piano Sonata (Alexander Ullman)

Not surprisingly for the winner of the Budapest 2011 and Utrecht 2017 Liszt Competitions, the British pianist Alexander Ullman, who...

Reviewed by Patrick Rucker in issue: 08/2022

Review of IRELAND Orchestral Works (Wilson)

IRELAND Orchestral Works (Wilson)

Anyone who invested in John Wilson’s admirable Ireland release with the Hallé (12/09) will naturally be wondering whether it’s worth...

Reviewed by Andrew Achenbach in issue: 08/2022

Review of HAYDN Complete Symphonies, Vol 26 (Klumpp)

HAYDN Complete Symphonies, Vol 26 (Klumpp)

Pity poor HobI:107, aka Symphony ‘A’. Long thought to be a quartet (Op 1 No 5) rather than a symphony...

Reviewed by David Threasher in issue: 08/2022

Review of BRUCKNER Symphony No 4 (Poschner)

BRUCKNER Symphony No 4 (Poschner)

On completion in 2024, Markus Poschner’s cycle of the Bruckner symphonies will include all three versions of the Fourth Symphony....

Reviewed by Christian Hoskins in issue: 08/2022

Review of BRAHMS Piano Concerto No 2 WEBERN Concerto Op 24 (Pina Napolitano)

BRAHMS Piano Concerto No 2 WEBERN Concerto Op 24 (Pina Napolitano)

Reviewing Pina Napolitano’s first ‘Brahms the Progressive’ recording (7/18), I wrote how the pianist seemed more confident and commanding in...

Reviewed by Jed Distler in issue: 08/2022

Review of BRAHMS Symphonies Nos 3 & 4 (Blomstedt)

BRAHMS Symphonies Nos 3 & 4 (Blomstedt)

Herbert Blomstedt is a member of a much-respected senior ‘rostrum elite’ (Haitink, Boult, Böhm, Wand and the like) that over...

Reviewed by Rob Cowan in issue: 08/2022

Review of BEETHOVEN Symphony No 6 STUCKY Silent Spring

BEETHOVEN Symphony No 6 STUCKY Silent Spring

Manfred Honeck’s Beethoven does not ‘speak for itself’, whatever that is supposed to mean. Indeed, this Pastoral delivers something to...

Reviewed by David Gutman in issue: 08/2022

Review of JS BACH Brandenburg Concertos (Luks)

JS BACH Brandenburg Concertos (Luks)

Following in Bach’s footsteps is never straightforward – few of the locations associated with him are quite what they seem....

Reviewed by Lindsay Kemp in issue: 08/2022

Review of FAURÉ Complete Songs (Cyrille Dubois, Tristan Raës)

FAURÉ Complete Songs (Cyrille Dubois, Tristan Raës)

Here’s a delicious treat that should have all lovers of French mélodies salivating. Complete sets of Gabriel Fauré’s songs are...

Reviewed by Mark Pullinger in issue: 08/2022

Gramophone Classical Music Awards Winner
Review of Jordan Bak: Impulse

Jordan Bak: Impulse

For his solo debut album, the Jamaican-American viola player Jordan Bak has put together a recital of daringly introspective music...

Reviewed by Laurence Vittes in issue: 07/2022

Review of SUMMER Hamlet

SUMMER Hamlet

The American composer Joseph Summer (b1956) is no stranger to opera, having written several comic operas early in his career,...

Reviewed by Guy Rickards in issue: 07/2022





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