Search results for | Gramophone

Friday, June 13, 2025

| Gramophone

Mark Pullinger is seduced by Respighi at his most colourful in a 1934 suite culled from a ballet

Classics Reconsidered: Trevor Pinnock’s 1986 recording of Haydn’s ‘Nelson’ Mass

Friday, June 13, 2025

| Gramophone

Lindsay Kemp and Richard Wigmore revisit Trevor Pinnock’s 1986 recording of Haydn’s ‘Nelson’ Mass

Mezzo Kitty Whately on unknown French song | Gramophone Classical Music Podcast

Podcasts

Thursday, June 12, 2025

| Gramophone

Hattie Butterworth meets Kitty Whately to discuss her album featuring lesser-known French women composers writing at the turn of the 20th century

‘I cannot be put in a cage. Like the character of Carmen, I always fight for my freedom’ | Aigul Akhmetshina interview

Monday, May 22, 2023

| Opera Now

Aigul Akhmetshina is a major young talent whose sensuous, captivating mezzo voice and compelling stage presence is proving to be a huge attraction in major opera houses around the world

Wagner: Götterdämmerung at Longborough Opera

Monday, June 5, 2023

| Opera Now

A finale of unprecedented emotional size was the highlight of Amy Lane's latest Ring at Longborough

Review: Renée Fleming & Evgeny Kissin recital at Carnegie Hall

Wednesday, June 7, 2023

| Opera Now

A spirit of generosity underpinned the Carnegie collaboration of Renée Fleming and Evgeny Kissin

Schulhoff: Piano Concerto, Op 11 (Michael Rische)

Sunday, October 2, 2022

| International Piano

Its youthful ebullience foreshadows Weimar irreverence, and its bright and brilliant demeanour is very infectious

Philip Martin: 24 Preludes (Chorphilia KK-CPP08)

Sunday, October 2, 2022

| International Piano

Martin is able to cast sonic spells with the minimum quantity of notes

EEE (Eubanks-Evans-Experience)

Wednesday, November 2, 2022

| International Piano

EEE is an excellent survey of a richly rewarding partnership

International Piano: introducing the June 2023 issue, featuring Saskia Giorgini

Friday, May 26, 2023

| International Piano

Saskia Giorgini: bringing poetry to Liszt | Byron Janis: the great American pianist's legacy | Chopin’s Polonaise-fantaisie: a survey on record

When Sleep Comes

Friday, July 1, 2022

| Choir and Organ

Tenebrae, Forshaw and Short are alert to every nuance of meaning in the assorted settings, with each item rendered with great beauty of tone

Introducing the July/August 2023 issue of Choir & Organ

Friday, June 9, 2023

| Choir and Organ

Škrabl: the Slovenian organ builders’ stunning new instrument for the state-of-the-art concert hall in Katowice; György Ligeti: the choral works

Garrick Ohlsson: five classical recordings that changed my life

Monday, July 3, 2023

| International Piano

From Furtwängler's Brahms to Callas's intensity and Björling's astonishing voice, musical moments that most inspired Garrick Ohlsson

'I’m always hoping to surprise myself' - Jonathan Dove on his new opera Itch for Holland Park

Friday, July 7, 2023

| Opera Now

Discovering Dove's sound exploration for the world of elements

Leighton: Every Living Creature (choral works including Laudes Animantium, Three Carols and Nativitie)

Wednesday, June 28, 2023

| Choir and Organ

Londinium possess a thoroughly satisfying, vibrant sound and remain undaunted by the challenges of Leighton's highly individual harmonies

Is it time to put the brakes on our intellectual superiority when talking about opera? | Andrew Mellor

Opinion

Friday, July 21, 2023

| Opera Now

Verdi: La traviata at the Royal Opera House | Live Review

Thursday, July 13, 2023

| Opera Now

A revival of the 1994 Richard Eyre's production grew in power with a tremendously poignant finale

Glyndebourne continues support of African and Asian singers

Friday, August 4, 2023

| Opera Now

The opera company's collaboration with Pegasus Opera provides four singers with mentoring opportunieis

Glyndebourne announces programme for 2024 festival

Monday, August 21, 2023

| Opera Now

As the 2023 festival draws to a close, the company announces plans for 2024

'Finding work would be easier if I were a smaller size’ – uncovering a darker side to opera