Jed Distler's Cliburn Blog No 4: The Quarter-finals begin
- Sunday, May 25, 2025
'Carter Johnson’s jaunty groove in the first movement abounded in playfulness and propulsion'
'Carter Johnson’s jaunty groove in the first movement abounded in playfulness and propulsion'
'Not one note fell under the table, not one phrase emerged without meaning'. Jed Distler finds at least one marvellous set in today's Cliburn Competition Preliminaries
'Not since Alfred Cortot and, more recently, Francesca Libetta have I heard Saint-Säens served up with such boundless imagination and character, not to mention transcendental virtuosity'
The 17th Van Cliburn International Piano Competition gets underway with performances from Xuanxiang Wu, Carter Johnson, Federico Gad Crema and more
'We were creating a new world together that wasn’t quite the old one, and both Albéniz and my dad had led me there'
Margaret Fingerhut reflects on heritage, history, and hope in her recital and recording 'Ukraine – A Piano Portrait', featuring works by overlooked Ukrainian composers
Lise Davidsen’s Senta, Sofronitsky’s spontaneity, Karajan live in Berlin – this month’s issue offers powerful reminders of how recordings preserve the unrepeatable
The pianist Rustem Hayroudinoff on recovering from focal dystonia – a condition renowned for ending performing careers
EMPOWER Women Changing Music is about to host its first event at King's Place. Co-founder Sinead Walsh shares her journey from disillusionment to setting up the successful project celebrating women in...
'With the already meagre trickle of money to emerging musicians becoming pinched, and many "aging out" of certain schemes before graduating, numerous gifted artists have left the profession entirely'
Conductor Laurence Equilbey explains how Beethoven’s King Stephan and Ruins of Athens inspired the first manga opera for the big screen – Beethoven Wars
The Calidore String Quartet reflect on the importance of Beethoven's quartets in their lives
Editor Martin Cullingford introduces the March 2025 issue of Gramophone magazine
Glass's piano Etudes are frequently performed and recorded in a way that isn't true to the score. It's time to return to what was actually written by the composer
With his Introduction and Allegro for Strings, Elgar extended the expressive language of string instruments
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