Reflecting recording’s past, present and future
- Monday, August 12, 2024
Editor Martin Cullingford introduces the September issue of Gramophone
Blogs
Exploring excellence across generations of classical musicians
- Monday, July 15, 2024
Editor Martin Cullingford introduces the August issue of Gramophone, featuring interviews with Joana Mallwitz and Leonard Slatkin
John Culshaw and the unsung heroes of music
- Friday, June 14, 2024
Martin Cullingford introduces the July issue of Gramophone
For the love of Liszt
- Friday, June 7, 2024
Emmanuel Despax shares his unique perspective on Liszt's work, shaped by his personal connection to the composer
‘Women are just starting to get the recognition they deserve’: Christina Pluhar on her new album 'Wonder Women'
- Tuesday, May 21, 2024
Christina Pluhar shares her unique process of research and programming, as well as the lives of the historic women composers that most inspire her
Different perspectives on music-making
- Tuesday, May 21, 2024
‘What recording means can be as richly varied as classical music itself’
Cellist Beatrice Harrison's 100-year-old collaboration with a nightingale reminds us what music truly is
- Friday, May 17, 2024
‘The best way to celebrate the centenary of her nightingale broadcast is to continue to fight for what it is to be a musician rather than a machine’
Rediscovering Maddalena Casulana: unveiling the lost musical treasures of the Renaissance composer
- Friday, May 3, 2024
We owe it to Maddalena Casulana to bring her music into the present and by recording it and publishing a modern score for further live performances, sending it into the future
Conductors Are Just Human Beings. Who Knew?
- Monday, April 22, 2024
The 20th Malko Competition highlighted a generational shift in what we think of as ‘a conductor’ - is the end nigh for the age of the maestro?
Exploring Schumann's chamber music
- Tuesday, April 16, 2024
Pianist Théo Fouchenneret introduces two new recordings in the Schumann Collection: ‘Works With Wind Instruments’ and ‘Trios and Quartet For Piano and Strings (live)’
The importance of online artist engagement
- Monday, March 25, 2024
Editor Martin Cullingford introduces the April 2024 issue of Gramophone
Caricature or portrait: the depiction of Irish culture in Stanford’s opera ‘Shamus O’Brien’
- Wednesday, March 13, 2024
‘Paralleling contemporary shows such as Mrs Brown's Boys, its success lies in its ability to critique societal norms and highlight political tensions through a heightened, colourful, yet humorous...
Championing the music of Dorothy Howell: ‘Her music jumped off the page - it was evocative, bold and imaginative, overflowing with fantastic colours and character’
- Friday, March 8, 2024
I hope listeners will love these colourful, characterful, skilful works as much as I do, and that they will also become enthralled with Dorothy Howell’s ferocious talent and fascinating story
Michael Spyres and Christophe Rousset reflect on their new album: In the Shadows
- Friday, March 1, 2024
Spyres and Rousset introduce In the Shadows
The value in variety of both artists and styles to classical music
- Tuesday, February 27, 2024
Editor Martin Cullingford introduces the March 2024 issue of Gramophone
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