An opera composer asks: who am I writing for?
- Tuesday, August 8, 2023
Composer Will Todd talks about writing the opera Alice's Adventures in Wonderland, ahead of a performance at If Opera
Composer Will Todd talks about writing the opera Alice's Adventures in Wonderland, ahead of a performance at If Opera
Penelope Thwaites reflects on how the stories of real people inspire and motivate her compositional process
Rob Cowan's Replay column, which celebrates the best of recent reissues, has now been a crucial part of Gramophone for 30 years
Understanding history can add much to the impact of composers and their works
David Fray’s L’Offrande Musicale festival brings world class music-making to hundreds of disabled people, and the result is magnificent and moving
‘High costs and a vast catalogue concentrate the mind, and the result is release schedules full of purpose and creativity’
Tessa Uys and Ben Schoeman make the case for exploring Beethoven's symphonies in their piano duet arrangements by Xaver Scharwenka
Making a video, sharing speeches, signing petitions: it all makes a difference
The early music pioneer and prolific record-maker's centenary fell last year – but why aren't more of his albums available?
Gramophone's Editor introduces a special anniversary edition of the magazine
The extraordinary work holds a particularly personal power for Stella Chen - so how did early critics get it so wrong?
Chairman John Gilhooly uses occasion to send a message to government
A schools’ matinee at Covent Garden wonderfully demonstrates why opera is worth fighting for
Gramophone goes behind the scenes as Sir Antonio Pappano and his hand-picked soloists record Turandot
Hanna Grzeskiewicz of the Hermes Experiment questions how new music can be powerfully conveyed through a more collaborative commissioning process
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