Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
The cycle of Haydn’s symphonies begun by Thomas Fey in 1999 is now well past its two-thirds point. These four...
Reviewed by David Threasher in issue: 02/2019
The snappily named Narodowy Instytut Fryderyka Chopina is happily willing to go beyond its remit and here presents early-Nineties performances...
Reviewed by David Threasher in issue: 02/2019
Pascal Dusapin continues to be among the most recorded of present-day composers, and this new BIS disc includes a first...
Reviewed by Richard Whitehouse in issue: 02/2019
In Jakub Hrůša’s hands, the opening of Brahms’s Fourth becomes a series of world-weary sighs, an apt lead-in to a...
Reviewed by Andrew Farach-Colton in issue: 02/2019
How delightful that François-Xavier Roth and Les Siècles have returned to Berlioz this year, the 150th anniversary of his death....
Reviewed by Mark Pullinger in issue: 02/2019
As continuo player for Teodor Currentzis, director of Il Pomo d’Oro – which has supplied lively backing to concept albums...
Reviewed by Peter Quantrill in issue: 02/2019
The ever-versatile Royal Concertgebouw Orchestra trombonist Jörgen van Rijen has done a great deal to extend his instrument’s representation on...
Reviewed by Andrew Mellor in issue: 02/2019
The first thing that strikes you about this disc is the acoustic, and not in a good way. It’s very...
Reviewed by Harriet Smith in issue: 02/2019
I was totally smitten by John Storgårds and the BBC Philharmonic’s recording of Antheil’s Fourth and Fifth symphonies (6/17) and...
Reviewed by Andrew Farach-Colton in issue: 02/2019
‘Vivaldi lives today thanks to Cecilia Bartoli!’ runs an accolade from Marilyn Horne in the booklet. I can imagine a...
Reviewed by Richard Wigmore in issue: 02/2019
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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