Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Nimbus’s coverage of Philip...
Reviewed by Richard Whitehouse in issue: 01/2019
Thierry Fischer leads a superb, thoroughly enjoyable reading of Saint-Saëns’s Organ Symphony. While he doesn’t generate quite as much heat...
Reviewed by Andrew Farach-Colton in issue: 01/2019
I’m surprised this isn’t a regular pairing on disc: two heavily lacquered Russian tales by teacher and pupil, both featuring...
Reviewed by Mark Pullinger in issue: 12/2018
Ensemble Appassionato was convened by Mathieu Herzog, a founder member of the Ébène Quartet, and draws its members from a...
Reviewed by David Threasher in issue: 01/2019
Seong-Jin Cho talks in the booklet interview about how much Mozart means to him and that conviction is apparent in...
Reviewed by Harriet Smith in issue: 01/2019
‘Very good’ with reservations, was Rob Cowan’s verdict (6/17) on the Essener Philharmoniker’s Asrael under its director since 2013, Tomáš...
Reviewed by Peter Quantrill in issue: 12/2018
With this recording of Haydn’s Symphony No 87 (1785), Harry Christophers and his Boston band are now five-sixths of the...
Reviewed by David Threasher in issue: 01/2019
Karl Goldmark seems to be having a bit of a moment right now, and so too – to judge from...
Reviewed by Richard Bratby in issue: 01/2019
We’ve had slices of atmospheric Heino Eller from Neeme Järvi and Tõnu Kaljuste before (and Toccata’s survey of the composer’s...
Reviewed by Andrew Mellor in issue: 01/2019
Childhood, that most enduring of Victorian inventions, played an important role in Elgar’s life as a composer. We find it...
Reviewed by Jeremy Dibble in issue: 12/2018
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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