Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
The Lombards at the First Crusade was Verdi’s fourth opera, commissioned by the impresario Merelli after the success of Nabucco....
Reviewed by Richard Lawrence in issue: 02/2019
Vox Luminis, directed with a light touch by bass Lionel Meunier, turn their egalitarian talents to King Arthur (1691) and...
Reviewed by David Vickers in issue: 02/2019
This is Così fan tutte but not quite as we know it. Described as ‘Mozart’s original thoughts recreated and recorded...
Reviewed by Tim Ashley in issue: 02/2019
An immensely important issue, this is the first recording of the performing edition by British musicologist David Trippett of Sardanapalo,...
Reviewed by Tim Ashley in issue: 02/2019
If you wanted to place a final full-stop to the ‘silver age’ of Viennese operetta, you could do worse than...
Reviewed by Richard Bratby in issue: 02/2019
By all accounts the castrato Caffarelli outdid even his fellow-falsettist Senesino in boorish disregard for colleagues and audiences. Lateness and...
Reviewed by Richard Wigmore in issue: 02/2019
When reading the programme at a performance of Fidelio, or inspecting a CD or DVD booklet, have you ever wondered...
Reviewed by Richard Lawrence in issue: 02/2019
In some ways this is a double historical release – a performance from over 50 years ago and a preservation...
Reviewed by Mike Ashman in issue: 02/2019
Without matching the tight ensemble or aiming for the taut pacing of Teodor Currentzis at the Bolshoi, Marc Albrecht embeds...
Reviewed by Peter Quantrill in issue: 02/2019
This is one of those recordings where composer and performers seem uniquely matched. One senses a degree of commitment that...
Reviewed by Fabrice Fitch in issue: 01/2019
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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