Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
The way Ning Feng shapes the opening phrases of the Elgar Concerto, I’m fairly certain he’s given careful study to...
Reviewed by Andrew Farach-Colton in issue: 01/2019
Following his arresting debut ‘Bartlebooth’ (9/08) and the ‘Drempel’ miscellany as co-director of Noszferatu (1/11), ‘Elsewhereness’ is Joe Cutler’s second...
Reviewed by Richard Whitehouse in issue: 01/2019
Christian Svarfvar muses poetically over the opening solo of the Bruch Concerto. He’s hardly alone in disregarding the composer’s instruction...
Reviewed by Andrew Farach-Colton in issue: 01/19
Back in September 2010 I remarked how the Fifth and Sixth symphonies ‘really swing’ under Giovanni Antonini, and now his...
Reviewed by Peter Quantrill in issue: 01/2019
Reading Manfred Honeck’s extensive booklet note (nearly 10 single-spaced pages on the Eroica alone) before playing the CD left me...
Reviewed by Andrew Farach-Colton in issue: 12/2018
It was never going to be a complete surprise to find these four concertos to be an exquisitely joyous and...
Reviewed by Charlotte Gardner in issue: 01/2019
The tone of Concerto Copenhagen’s Brandenburgs is set right at the beginning of Concerto No 1, where the usual raucous...
Reviewed by Lindsay Kemp in issue: 12/2018
The cover photos suggest glamour; the first item in the programme is romantic with a capital R. But don’t be...
Reviewed by Richard Bratby in issue: 01/2019
No ‘difficult second album’ for Colin Currie’s new record label but instead a worthy successor to the label’s imposing inauguration...
Reviewed by Andrew Mellor in issue: 01/2019
When Bridge champions a composer, one needs to sit up and take notice: the series devoted to George Crumb, Fred...
Reviewed by Guy Rickards in issue: 01/2019
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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