Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
The arpeggione was a hybrid instrument, smooth-waisted, tuned and fretted like guitar but bowed like a viola da gamba. Invented...
Reviewed by David Threasher in issue: 01/2019
Composer, conductor and administrator, Peter Ruzicka is certainly among the most versatile of present-day musicians and this latest release updates...
Reviewed by Richard Whitehouse in issue: 01/2019
The year 2018 marked the centenary of the death of Toivo Kuula, shot in an argument aged 35 (ironically, his...
Reviewed by Guy Rickards in issue: 01/2019
Górecki’s string quartets are fundamental to understanding his output, even though the first dates from 1988, his 55th year, and...
Reviewed by Ivan Moody in issue: 01/2019
Hands up: I hadn’t realised that Rebecca Clarke had authorised a cello version of her much-recorded Viola Sonata, although it...
Reviewed by Richard Bratby in issue: 01/2019
Just a few months ago, I reviewed a disc by Leila Schayegh and Jan Schultsz (Glossa, 10/18) that took Brahms’s...
Reviewed by Andrew Farach-Colton in issue: 01/2019
Trio Con Brio launched their Beethoven piano trio cycle earlier this year with a pairing of the Op 1 No...
Reviewed by Richard Bratby in issue: 01/2019
Previous Oehms albums from this German quartet have occasioned critical reservations in these pages over their apparently ill-prepared or uncommitted...
Reviewed by Peter Quantrill in issue: 01/2019
Fear, pain, desperation, gallows humour, longing for peace: experiences of war have changed little since earliest record. But what about...
Reviewed by Alexandra Coghlan in issue: 01/2019
There’s a real sense of exhilaration to ‘Then and There, Here and Now’ – the 40th-anniversary album by America’s all-male...
Reviewed by Alexandra Coghlan in issue: 01/2019
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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