Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
After Mozart (Sony, 1/14) and Rossini (BR-Klassik, 1/18), the Latvian soprano Marina Rebeka here presents a selection of meaty bel...
Reviewed by Hugo Shirley in issue: 01/2019
Venera Gimadieva burst on to the UK scene as Violetta in Glyndebourne’s 2014 production of La traviata (since issued by...
Reviewed by Hugo Shirley in issue: 12/2018
Today Julius Caesar is all but synonymous musically with Handel’s Giulio Cesare. But, as countertenor Raffaele Pe here demonstrates, the...
Reviewed by Alexandra Coghlan in issue: 01/2019
A Macbeth cast entirely with Italians, with an Italian production team, filmed in Italy: this release has claims to a...
Reviewed by Hugo Shirley in issue: 01/2019
Moses and the Israelites were cursed with 40 years’ wandering in the wilderness. Those who survive the three CDs of...
Reviewed by Neil Fisher in issue: 01/2019
Hard on the heels of the boy Mozart’s parody, Bastien und Bastienne (Signum, A/18), comes the original. The Village Soothsayer...
Reviewed by Richard Lawrence in issue: 01/2019
Maometto II is one of Rossini’s grandest operas, a tale of love and war inspired by Mehmet II’s destruction of...
Reviewed by Richard Osborne in issue: 01/2019
In his booklet note to this disc of love duets, Roberto Alagna argues that all the female characters represent different...
Reviewed by Mark Pullinger in issue: 01/2019
Giovanni Maria Pagliardi (1637-1702) composed operatic entertainments for the Medici and was maestro di cappella at their church, San Lorenzo...
Reviewed by David Vickers in issue: 01/2019
As the Overture plays, the main characters enter via a walkway that extends across the auditorium behind the conductor. They...
Reviewed by Richard Lawrence in issue: 01/2019
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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