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GORZANIS La barca del mio amore

Modern guitarists and listeners will be most familiar with the music of blind Apulian lutenist and composer Giacomo Gorzanis (c1530-c1575)...

Reviewed by William Yeoman in issue: 10/2018

GOODALL Invictus

Invictus draws its title from the poem by William Ernest Henley, one of the poets whose words are scattered throughout...

Reviewed by Adrian Edwards in issue: AW18

DALE Requiem for my Mother

Rebecca Dale’s debut album arrives with much fanfare and publicity, with her new label proclaiming that she is ‘the first...

Reviewed by Pwyll ap Siôn in issue: 10/2018

L BOULANGER Hymne au Soleil

Evoking spaces and possibly rituals well beyond the shores of Europe within its three minutes, the D flat piano Prelude...

Reviewed by Peter Quantrill in issue: 10/2018

JS BACH Cantatas of Contentment

This release represents the end of an era, and not just the end of Bach Collegium Japan’s long-running series of...

Reviewed by Jonathan Freeman-Attwood in issue: 10/2018

ALLAIN Choral Music

Half of the tracks on this splendid disc are premiere recordings. For his texts the English composer Richard Allain (b1965)...

Reviewed by Malcolm Riley in issue: 10/2018

Rarities of Piano Music at Husum 2017

This year’s disc of highlights from last year’s 31st Husum Festival (2017) showcases nine pianists playing the works of some...

Reviewed by Jeremy Nicholas in issue: 10/2018

Hélène Grimaud: Memory

Remember Lang Lang’s DG release entitled ‘Memory’ (7/06), mostly centred around repertoire evocative of childhood recollections? Hélène Grimaud’s latest DG...

Reviewed by Jed Distler in issue: 10/2018

Frederick Lamond: Liszt & the complete electrical recordings

Of Liszt’s pupils, the Scottish pianist Frederic Lamond (1868-1948) was survived only by José Vianna da Motta, who died a...

Reviewed by Patrick Rucker in issue: 10/2018

PAGANINI 24 Caprices (Lisa Jacobs)

It was surely only a matter of time before the Dutch violinist Lisa Jacobs recorded Paganini, after the assured, personality-rich...

Reviewed by Charlotte Gardner in issue: 10/2018

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