Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
There are at least three good reasons for investing in this fine recording. First, there is the prospect of hearing...
Reviewed by Jeremy Nicholas in issue: 10/2018
This, incredibly, is the 100th CD of Liszt’s music for solo piano recorded by the indefatigable Leslie Howard for Hyperion....
Reviewed by Jeremy Nicholas in issue: 10/2018
In the 80 years since John Kirkpatrick gave Ives’s Concord Sonata its first complete performance, the music has evolved from...
Reviewed by Jed Distler in issue: 10/2018
For anyone who may have missed it, Poland is assuming a leadership position in the use of historical instruments by...
Reviewed by Patrick Rucker in issue: 10/2018
Pianists who record Chopin’s Nocturnes usually sequence the works by opus number. Ingrid Fliter differs from most by devising a...
Reviewed by Jed Distler in issue: 10/2018
Alexandre Tharaud is a musician of wide interests, as compelling in the Baroque as he is delightful in a favourite...
Reviewed by Harriet Smith in issue: 10/2018
No doubts about the qualifications of Ravel’s Gaspard for a disc entitled ‘Of the Night’. But only three of Schumann’s...
Reviewed by Michelle Assay in issue: 10/2018
Alexandra Papastefanou first came to my attention via a mesmerising performance of Dimitri Mitropoulos’s rarely heard Piano Sonata but her...
Reviewed by Jed Distler in issue: 10/2018
Performing Bach’s Cello Suites in a transcription for viola is nothing new. Among other viola versions that I have to...
Reviewed by Rob Cowan in issue: 10/2018
Having safely passed the halfway point of his 15-disc traversal of the complete Bach organ works for Signum Classics, David...
Reviewed by Malcolm Riley in issue: 10/2018
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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