Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
It is perhaps unfortunate that I began my listening with the second work on Louis Lortie’s disc, the G minor...
Reviewed by Jeremy Nicholas in issue: 10/2018
You can rely on Anne Akiko Meyers to deliver something more than a violin concerto with fill-ups, as this latest...
Reviewed by Andrew Mellor in issue: 10/2018
Anyone who has spent time on the Algarve knows how rich and varied its maritime life is. In expanding upon...
Reviewed by Liam Cagney in issue: AW18
Sebastian Weigle and his Frankfurt orchestra here reach the sixth volume of their survey of Strauss orchestral works. In doing...
Reviewed by Hugo Shirley in issue: 10/2018
A one-time concert staple, Anton Rubinstein’s Fourth Piano Concerto virtually disappeared from the repertoire in the West by the mid-20th...
Reviewed by Jed Distler in issue: 10/2018
In an ideal world there should be no need for a special orchestra that selects musicians on the basis of...
Reviewed by Michelle Assay in issue: 10/2018
Mozart’s late symphonic music is nowadays so much the province – almost the property – of the period-instrument brigade that...
Reviewed by David Threasher in issue: 10/2018
Chouchane Siranossian and Anima Eterna present not the familiar versions of these two evergreen masterpieces but instead go back to...
Reviewed by David Threasher in issue: 10/2018
Magnus Lindberg wrote his Violin Concerto No 2 (2015) for Frank Peter Zimmermann. Whether or not the German’s thick-set tone...
Reviewed by Andrew Mellor in issue: 10/2018
Why, you may rightly ask, has it taken fully 25 years for this set of Holst’s The Planets to see...
Reviewed by Andrew Achenbach in issue: 10/2018
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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