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Review of BRAHMS Violin Sonatas (Schayegh, Schultsz)

BRAHMS Violin Sonatas (Schayegh, Schultsz)

These interpretations of the Brahms violin sonatas delve far more deeply into ‘historically informed performance practice’ than any period-instrument recording...

Reviewed by Andrew Farach-Colton in issue: 10/2018

Review of BOCCHERINI Cello Sonatas (Cocset)

BOCCHERINI Cello Sonatas (Cocset)

It’s such a very long time since the French baroque cellist Bruno Cocset brought out his first excellent Boccherini album...

Reviewed by Charlotte Gardner in issue: 10/2018

Review of Zhenni Li: Mélancholie

Zhenni Li: Mélancholie

Zhenni Li’s new Steinway release is a bolt from the blue. Li holds bachelor and master’s degrees from Juilliard, where...

Reviewed by Patrick Rucker in issue: 10/2018

Review of Rebecca Jeffreys & Alexander Timofeev: Friends in Common Time

Rebecca Jeffreys & Alexander Timofeev: Friends in Common Time

Flautist Rebecca Jeffreys and pianist Alexander Timofeev may not always be ‘Friends in Common Time’ on their new disc, given...

Reviewed by Donald Rosenberg in issue: 10/2018

Review of STEFFENS Two Cells in Sevilla

STEFFENS Two Cells in Sevilla

The German composer Walter Steffens (b1934) has written in many styles and genres, from the intimate to the extravagant, and...

Reviewed by Donald Rosenberg in issue: 10/2018

Review of SISLER All Around the Year

SISLER All Around the Year

Among the MSR label’s releases devoted to music by the American choral conductor, organist and composer Hampson Sisler (b1932), the...

Reviewed by Jed Distler in issue: 10/2018

Review of SIERRA Kandinsky. Clarinet Sonata

SIERRA Kandinsky. Clarinet Sonata

These recordings of music by the Puerto Rican composer Roberto Sierra (b1953) have a complex history, dating from various points...

Reviewed by Guy Rickards in issue: 10/2018

Review of BLITZSTEIN The Cradle Will Rock

BLITZSTEIN The Cradle Will Rock

The first complete recording of Marc Blitzstein’s The Cradle Will Rock, restoring the composer’s original 1937 orchestrations, raises the inevitable...

Reviewed by Laurence Vittes in issue: 10/2018

Review of Fuse Ensemble: The Music of Gina Biver

Fuse Ensemble: The Music of Gina Biver

Gina Biver is a musical force of nature: electroacoustic composer, producer, electric guitarist and director of the Washington DC-based Fuse...

Reviewed by Guy Rickards in issue: 10/2018

Review of ABEL Time and Distance

ABEL Time and Distance

Mark Abel’s fourth CD on Delos is rich in those moments of inspiration when a composer first comes under the...

Reviewed by Laurence Vittes in issue: 10/2018


 

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