Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Michael Hersch’s Violin Concerto (2015) immediately hurls us into a wrenching scene. Trumpet and horn yelp a distressed fanfare as...
Reviewed by Andrew Farach-Colton in issue: 10/2018
‘That’s the best piece of classical music you’ve played to me’, quipped my 10-year-old daughter on hearing Ruth Gipps’s Second...
Reviewed by Guy Rickards in issue: 10/2018
Recordings of Gerald Finzi’s imposing Cello Concerto (premiered at the Cheltenham Festival under John Barbirolli in 1955, the last full...
Reviewed by Andrew Achenbach in issue: 10/2018
The scale and richness of Bruckner’s String Quintet have encouraged a number of arrangements for string orchestra over the years,...
Reviewed by Christian Hoskins in issue: 10/2018
The astounding thing about Hyperion’s Romantic Piano Concerto series is that, at Vol 77, it’s still going strong and that...
Reviewed by Harriet Smith in issue: 10/2018
Mario Venzago’s recordings of Bruckner symphonies with the Tapiola Sinfonietta and other chamber orchestras raised eyebrows and furrowed brows. I...
Reviewed by Andrew Farach-Colton in issue: 10/2018
More muscular, immediate Brahms here from Thomas Dausgaard’s Meiningen-sized Swedish Chamber Orchestra but, where the previous two instalments (the first...
Reviewed by Andrew Mellor in issue: 10/2018
Opinions differ about Debussy’s Fantaisie, his only work for piano and orchestra, completed in 1890. Self-critical as always, Debussy himself...
Reviewed by Tim Ashley in issue: 10/2018
For its Bernstein centenary tribute, Somm’s historical label Ariadne has released a series of previously unavailable NDR broadcasts from Hanover...
Reviewed by Tim Ashley in issue: 10/2018
Świątkiewicz was the harpsichordist who in 2015 shone an attractively characterful and joyous light on the little-known keyboard concertos of...
Reviewed by Charlotte Gardner in issue: AW18
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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