Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
The cover of this new release from the Calidore Quartet has the four players standing in sunglasses in a Manhattan...
Reviewed by Richard Bratby in issue: 10/2018
At first sight, the young accordionist Vincent Lhermet and veteran viola da gamba player Marianne Muller seem the oddest of...
Reviewed by William Yeoman in issue: 10/2018
Jiyoon Lee’s Champs Hill recital with Henry Kramer follows hard on the heels of her remarkable debut album (Orchid, A/18),...
Reviewed by Tim Ashley in issue: 10/2018
There’s a happy inevitability about French period cellists taking Vivaldi’s six cello sonatas into the recording studio, when the Bibliothèque...
Reviewed by Charlotte Gardner in issue: 10/2018
Tchaikovsky’s Piano Trio in B minor? No, not in A minor. Nor, indeed, that Tchaikovsky. Naxos has done well by...
Reviewed by Mark Pullinger in issue: 10/2018
I think it was George Bernard Shaw who first remarked that Stanford was at his best when he forgot to...
Reviewed by Richard Bratby in issue: 10/2018
The Norwegian Engegård Quartet have only recently started programming single-composer discs (they released Mozart’s ‘Prussian’ Quartets last year – LAWO...
Reviewed by Harriet Smith in issue: 10/2018
In honour of William of Ockham’s famous dictum that the simplest solution tends to be the correct one, the eighth...
Reviewed by Guy Rickards in issue: 10/2018
What makes the Doric the Doric? Is it their ability to reveal detail, though never at the cost of broader...
Reviewed by Harriet Smith in issue: 10/2018
An earlier disc devoted to Charlotte Bray (1/15) has proved one of the most notable in NMC’s Debut series and...
Reviewed by Richard Whitehouse in issue: 10/2018
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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