Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Post-war ‘new’ Bayreuth got off to a good start, recording-wise. All of its first 1951 stagings were caught live by...
Reviewed by Mike Ashman in issue: 09/2018
Leonard Bernstein’s seemingly ambivalent fascination with Wagner’s Tristan had begun as early as the 1950s with substantial televised excerpts with...
Reviewed by Mike Ashman in issue: 09/2018
Successful during Respighi’s lifetime in both Europe and the United States, La campana sommersa was first performed in Hamburg in...
Reviewed by Tim Ashley in issue: 09/2018
Le Temple de la Gloire is an opéra-ballet to a libretto by Voltaire, first performed at Versailles on November 27,...
Reviewed by Richard Lawrence in issue: 09/2018
Claus Guth’s staging of La clemenza di Tito takes place entirely within a split-level set: the private scenes of emotional...
Reviewed by David Vickers in issue: 09/2018
Operetta composers confronted the jazz age in different ways. Prince Sándor in Kálmán’s Die Herzogin von Chicago actually outlaws the...
Reviewed by Richard Bratby in issue: 09/2018
Fromental Halévy (1799-1862): not a name one comes across very often. But he was a key figure, with Meyerbeer, in...
Reviewed by Richard Lawrence in issue: 09/2018
It’s a strange libretto, like a mixture of Lessing and early French light opera. Its political correctness – in ‘the...
Reviewed by Mike Ashman in issue: 09/2018
Mason Bates’s The (R)evolution of Steve Jobs was premiered in Santa Fe last year. Setting a libretto by Mark Campbell,...
Reviewed by Tim Ashley in issue: 09/2018
For their Naxos debut, Jeffrey Douma and the Yale Choral Artists perform music by three Yale composers that projects seriousness...
Reviewed by Laurence Vittes in issue: 09/2018
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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