Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
He may be held in affection by those who knew him but the music of Alan Ridout (1934 96) has...
Reviewed by Richard Whitehouse in issue: 09/2018
It has been quite a month for concept albums from string quartets. Having also reviewed the Dudok’s imaginative ‘Solitude’ (see...
Reviewed by Harriet Smith in issue: 09/2018
The cover of this disc of string quartets by James MacMillan is a simple illustration of a dense, web-like tangle...
Reviewed by Pwyll ap Siôn in issue: 09/2018
Robin Holloway once stated that as a young composer he wanted to be ‘a Modern among the Moderns’. Now in...
Reviewed by Pwyll ap Siôn in issue: 09/2018
Alissa Firsova may be the mature side of 30 but this album radiates youth in all its wonder, complexity and...
Reviewed by Andrew Mellor in issue: 09/2018
A few months back I was enjoying the Busch Trio’s Dvořák piano quartets in the company of viola player Miguel...
Reviewed by Harriet Smith in issue: 09/2018
Friedrich Cerha celebrated his 92nd birthday earlier this year and two of these works are from his eighties. The largest...
Reviewed by Guy Rickards in issue: 09/2018
Dating from 1948, Strauss’s Duet-Concertino for clarinet, bassoon, strings and harp was his final instrumental work, though unlike many of...
Reviewed by Tim Ashley in issue: 09/2018
The Barcelona-based Cuarteto Casals have already made a very distinctive mark in quartets by Haydn, Mozart and Schubert. Now, having...
Reviewed by Richard Bratby in issue: 09/2018
Duncan Druce was troubled by ‘the lack of any really soft playing’ in the first volume of Susanna Ogata and...
Reviewed by Andrew Farach-Colton in issue: 09/2018
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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