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Review of Come to Me in My Dreams:120 Years of Song from the Royal College of Music

Come to Me in My Dreams:120 Years of Song from the Royal College of Music

A truly lovely programme, this, as generous as it is absorbing, devoted to songs spanning some 120 years by composers...

Reviewed by Andrew Achenbach in issue: 09/2018

Review of Bye Bye Berlin

Bye Bye Berlin

Anyone familiar with the repertoire on this disc will know that it has been reflected and refracted through many artistic...

Reviewed by Hugo Shirley in issue: 09/2018

Review of Årstiderne: 28 Danish Songs

Årstiderne: 28 Danish Songs

Nordic humility combined with Danish plain speaking to take the country’s unique song tradition in a new direction in the...

Reviewed by Andrew Mellor in issue: 09/2018

Review of RACHMANINOV; SIBELIUS Songs (Imbrailo & Hogarth)

RACHMANINOV; SIBELIUS Songs (Imbrailo & Hogarth)

Making their song debut on Linn records, Jacques Imbrailo and Alisdair Hogarth offer a deeply satisfying two-part recital. Sibelius takes...

Reviewed by Hugo Shirley in issue: 09/2018

Review of NOWOWIEJSKI Folk Paintings. King of the Winds (Perłowski)

NOWOWIEJSKI Folk Paintings. King of the Winds (Perłowski)

Feliks Nowowiejski was a Polish composer, born in Wartenburg (now Barczewo) in East Prussia in 1877. Having studied composition with...

Reviewed by Mark Pullinger in issue: 09/2018

Review of NEUKOMM Mass. Requiem (Malgoire)

NEUKOMM Mass. Requiem (Malgoire)

Sigismund Neukomm (1778-1858) studied for seven years with Haydn in Vienna. From 1809 he was based in Paris, albeit with...

Reviewed by David Vickers in issue: 09/2018

Review of MONTEVERDI Scherzi musicale (Chierici)

MONTEVERDI Scherzi musicale (Chierici)

For Claudio Monteverdi 1607 was a devastating year. February saw the premiere of his first opera, Orfeo, and then just...

Reviewed by Iain Fenlon in issue: 09/2018

Review of MARENZIO L’amoroso e crudo stile

MARENZIO L’amoroso e crudo stile

If Monteverdi was the midwife of the Italian madrigal – ushering it into the new musical world of the Baroque...

Reviewed by Alexandra Coghlan in issue: 09/2018

Review of HAYDN The Creation (Orozco-Estrada)

HAYDN The Creation (Orozco-Estrada)

Haydn’s vision of a benignly ordered universe is in many ways a no-fail work. This new version, seemingly recorded at...

Reviewed by Richard Wigmore in issue: 09/2018

Review of VIVALDI Nulla in mundo pax sincera HANDEL Gloria (Grace Davidson)

VIVALDI Nulla in mundo pax sincera HANDEL Gloria (Grace Davidson)

Even in this golden age of ‘early music’ sopranos, Grace Davidson is outstanding for her seraphic purity and evenness of...

Reviewed by Richard Wigmore in issue: 09/2018


 

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