Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
As a peak of the orchestral repertoire, Strauss’s Alpine Symphony is in danger of becoming overrun: it’s a work that...
Reviewed by Hugo Shirley in issue: 09/2018
The Chinese violinist Zhi-Jong Wang made her debut at the age of 14 under Yehudi Menuhin and later won First...
Reviewed by Mark Pullinger in issue: 09/2018
You would expect Pletnev – a complicated and elusive character at the best of times – to offer a radical...
Reviewed by Edward Seckerson in issue: 09/2018
From Debussy on, Western composers have sought inspiration from non-Western instruments. In the past couple of decades, this tendency has...
Reviewed by Liam Cagney in issue: 09/2018
‘Symphonist’ is not a description often applied to Arvo Pärt. Yet the four works contained on this disc (three of...
Reviewed by Pwyll ap Siôn in issue: 09/2018
Could there have been a touch of Brendel-inspired whimsy about the idea of a concert marking the 222nd anniversary of...
Reviewed by Richard Osborne in issue: 09/2018
Riccardo Chailly’s debut as Music Director of the Lucerne Festival Orchestra in 2016 was Mahler’s gigantic Eighth Symphony, completing the...
Reviewed by Mark Pullinger in issue: 09/2018
Yet again we are faced with recurrent questions surrounding stylistic ethics and the exclusivity of music about music. Rolf Martinsson’s...
Reviewed by Andrew Mellor in issue: 09/2018
Has any popular violin concerto had a shakier start in life than Korngold’s? Born into a post-war America where critics...
Reviewed by Richard Bratby in issue: 08/2018
João Carlos Martins premiered Ginastera’s First Piano Concerto in 1961 and made the first recording in 1968 with Leinsdorf and...
Reviewed by Andrew Farach-Colton in issue: 08/2018
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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