Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
The opening movement of Elgar’s Second Symphony has brought great diversity of approach over the decades. How to interpret that...
Reviewed by Edward Seckerson in issue: 08/2018
Little has been heard in the UK by Moritz Eggert (b1965) during those two decades since he came to prominence,...
Reviewed by Richard Whitehouse in issue: 08/2018
To complete their Dvořák symphony cycle, Marcus Bosch and the Staatsphilharmonie Nürnberg turn their attention to the Second. In his...
Reviewed by Mark Pullinger in issue: 08/2018
These new recordings in Gergiev’s Bruckner series derive from a single concert given in the monastery of St Florian. When...
Reviewed by Christian Hoskins in issue: 08/2018
There’s no denying the precocity of this Double Concerto, written when Mendelssohn was just 14. Yet for all its flashes...
Reviewed by Andrew Farach-Colton in issue: 08/2018
Muzio Clementi and Johann Baptist (John) Cramer have much in common. Each was considered a leading virtuoso, each composed teaching...
Reviewed by Jed Distler in issue: 08/2018
Here’s a pairing rarely made on disc, yet they are natural partners: two Concertos for Orchestra by Hungarian composers, each...
Reviewed by Mark Pullinger in issue: 08/2018
In many respects this is a quite exceptional programme. I love the way Daniel Lozakovich marks every little harmonic twist...
Reviewed by Rob Cowan in issue: 08/2018
One need only recall the impressive 2013 recording of the Doctor Atomic Symphony and the mighty Harmonielehre to realise that...
Reviewed by Patrick Rucker in issue: 08/2018
Ian Page and the Classical Opera Company (since rechristened The Mozartists for concerts) launched their epic project ‘Mozart 250’ with...
Reviewed by David Vickers in issue: 07/2018
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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