Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
I doubt whether many in the audience at the premiere of Pettersson’s Seventh Symphony (1966 67), 50 years ago this...
Reviewed by Guy Rickards in issue: 07/2018
Recordings of Luigi Nono have increasingly focused on his highly introspective late music, which makes this disc featuring two of...
Reviewed by Richard Whitehouse in issue: 07/2018
Josef Mysliveček (1737 81) seems to have been quite a fellow. A close friend of the Mozarts and a major...
Reviewed by David Threasher in issue: 07/2018
The booklet gives no birth date for John McLeod but the composer’s biography dives straight in with the impetus behind...
Reviewed by Andrew Mellor in issue: 07/2018
Mats Lidström’s Rigoletto Fantasy (2009) was inspired by hearing his violinist classmates at the Juilliard School argue the relative merits...
Reviewed by Andrew Farach-Colton in issue: 07/2018
The year 1940 was a dramatic one for Latvia. The country was overtaken by the Soviets, then the Nazis, then...
Reviewed by Ivan Moody in issue: 07/2018
Like many of the young musicians of the post-Soviet diaspora, Denis Kozhukhin naturally sought out Russian teachers in the West,...
Reviewed by Patrick Rucker in issue: 07/2018
Sebastian Fagerlund’s residency at the Concertgebouw in Amsterdam culminated in April with the third part of his orchestral trilogy in...
Reviewed by Andrew Mellor in issue: 07/2018
Concertos by Grieg and Delius form the twin pillars of Mark Bebbington’s new Somm release in collaboration with the Royal...
Reviewed by Patrick Rucker in issue: 07/2018
Yet another La mer rich in detail (there have been quite a few of late), the ppp timps at the...
Reviewed by Rob Cowan in issue: 07/2018
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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