Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Nicholas Phan’s previous releases have shown him to be not only a fine singer but a fine programmer, too. His...
Reviewed by Hugo Shirley in issue: 06/2018
Listening to this bright and honest Missa solemnis brings memories of the 1970s and early ’80s, when period-instrument bands and...
Reviewed by Lindsay Kemp in issue: 06/2018
Consolation is, of course, a prevalent conceit in Bach’s expressive armoury (as dictated by the cyclical requirements of the church...
Reviewed by Jonathan Freeman-Attwood in issue: 06/2018
Many years ago I was hired to perform Beethoven’s C minor Variations with the Bill T Jones/Arnie Zane Dance Company....
Reviewed by Jed Distler in issue: 06/2018
The 17 short pieces on pianist Feico Deutekom’s new disc are made of tiny cells that evolve through subtle repetition...
Reviewed by Donald Rosenberg in issue: 06/2018
The vogue for piano duos that peaked in the mid-20th century resulted in a proliferation of concertos written for two...
Reviewed by Jed Distler in issue: 06/2018
Organist Jeremy David Tarrant rightly claims Charles-Marie Widor’s Seventh Symphony to be ‘the apex of symphonic writing for organ’, a...
Reviewed by Jed Distler in issue: 06/2018
Two new recordings of music by Paul Reale (b1943) on different labels confirm that the American composer deserves more attention....
Reviewed by Donald Rosenberg in issue: 06/2018
The intersection of past and present – past made present, as the disc’s title states – is nowhere more tellingly...
Reviewed by Guy Rickards in issue: 06/2018
All cellists, whether on modern or period instruments, operate at the same disadvantage when playing Bach’s six Solo Cello Suites....
Reviewed by Laurence Vittes in issue: 06/2018
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.