Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
The success of the Heath Quartet’s Gramophone Award-winning Tippett cycle spotlit the tip of the iceberg of a huge body...
Reviewed by Guy Rickards in issue: 04/2017
Unlike the Florestan Trio, who celebrated their birth with these very two Dvořák trios, the Wanderer have waited 30 years...
Reviewed by Harriet Smith in issue: 04/2017
Another month, another disc from the British composer Laurence Crane, which suggests that the concerted efforts of labels such as...
Reviewed by Philip Clark in issue: 04/2017
In January I enthused about the first instalment of Brahms piano quartets from this Russo-German alliance. Now comes the remaining...
Reviewed by Harriet Smith in issue: 04/2017
Ingolf Turban marks 30 years of performing with the release of this recital recorded live in Munich last April. He...
Reviewed by Harriet Smith in issue: 04/2017
‘Up high it sounds nasal, and down low it grumbles’: Dvořák’s supposed comment about the solo cello came to mind...
Reviewed by Richard Bratby in issue: 04/2017
Although William Alwyn’s extensive catalogue includes three ‘official’ string quartets dating from 1953, 1975 and 1984, his relationship with the...
Reviewed by Andrew Achenbach in issue: 04/2017
What a brilliant idea. Taking the best of three different Orpheus operas and weaving them together into a single composite,...
Reviewed by Alexandra Coghlan in issue: 04/2017
Wagner’s second complete opera mostly switched allegiance to contemporary Italian (Donizetti, Rossini) and French (Auber, Hérold) models rather than German...
Reviewed by Mike Ashman in issue: 04/2017
The Hermaphrodite is described as a ‘chamber opera in seven parts’, but that’s only part of the story. The work...
Reviewed by Andrew Mellor in issue: 04/2017
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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