Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
The tale of Rinaldo the Crusader knight caught in the toils of the sorceress Armida had been popular with composers...
Reviewed by Richard Osborne in issue: 04/2017
By all accounts, Denis Podalydès’s updated production of Mozart’s late opera seria in the Théâtre des Champs-Elysées, set in a...
Reviewed by Richard Wigmore in issue: 04/2017
In her absolute prime at 35, the Bulgarian soprano Sonya Yoncheva has been winning plaudits on both sides of the...
Reviewed by Richard Wigmore in issue: 04/2017
It must be a world record for William Christie to have conducted four different commercial releases of Handel’s late masterpiece...
Reviewed by David Vickers in issue: 04/2017
Written to celebrate the visit of Archduke Karl of Styria to Florence during the carnival season of 1625, La liberazione...
Reviewed by Iain Fenlon in issue: 04/2017
First performed in Stuttgart in 1913, Braunfels’s second opera centres on Till Ulenspiegel (or Eulenspiegel), the rebellious prankster of north...
Reviewed by Tim Ashley in issue: 04/2017
In this performance from the New York Met, a co-production with English National Opera, the setting is not Ceylon in...
Reviewed by Richard Lawrence in issue: 04/2017
Aaron Copland’s Piano Sonata doesn’t exactly lack in first-rate recordings, yet there’s certainly room for Nathan Williamson’s commanding interpretation. The...
Reviewed by Jed Distler in issue: 04/2017
The five volumes that comprise Steps marked an unequivocal return to composition for Peter Seabourne (b1960). The first and last...
Reviewed by Richard Whitehouse in issue: 04/2017
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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