Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Multitalented Simon Wallfisch is known to many for his appearances as ‘The Singing Cellist’, though here he joins pianist Edward...
Reviewed by Tim Ashley in issue: 03/2017
In Britain, Paweł Szymański’s name began to appear a few decades ago, seeming to be a natural successor to such...
Reviewed by Ivan Moody in issue: 03/2017
The Soldier’s Tale had a troubled wartime genesis from which emerged music of bite and swagger and a new kind...
Reviewed by David Gutman in issue: 03/2017
A visually rather low grade reissue – no Blu ray magic broom here – of three Vienna studio films made...
Reviewed by Mike Ashman in issue: 03/2017
This disc signifies a dual artistic emergence. As a composer of mélodies, Saint-Saëns comes out from behind the shadow of...
Reviewed by David Patrick Stearns in issue: 03/2017
Martin Peerson’s ‘Mottects or Grave Chamber Musique’ (1630) contains five-part songs on poems from Caecilia by Sir Fulke Greville (the...
Reviewed by David Vickers in issue: 03/2017
Just two months after the appearance of Masaaki Suzuki’s C minor Mass, here is another that takes an interesting editorial...
Reviewed by David Threasher in issue: 03/2017
Of Mendelssohn’s works only the Scottish and Italian symphonies had a longer, more fraught gestation than Elijah. The composer wanted...
Reviewed by Peter Quantrill in issue: 03/2017
It’s difficult to escape the air of academicism surrounding this disc, which was programmed by the musicologist-conductor Michael Vitalino while...
Reviewed by Tim Ashley in issue: 03/2017
Here’s another welcome helping of choral Elgar courtesy of Mark Elder and his Hallé forces, this time in the context...
Reviewed by Andrew Achenbach in issue: 03/2017
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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