Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
The Anglican choral tradition is shaped and defined as much by its buildings as by its choirs. Whether it’s St...
Reviewed by Alexandra Coghlan in issue: 02/2017
Expectations were understandably high at the prospect of Vox Luminis graduating into the sphere of the young Bach cutting his...
Reviewed by Jonathan Freeman-Attwood in issue: 02/2017
The ever-inquisitive Café Zimmermann present a cross-section of Carl Philipp Emanuel Bach’s least-known vocal and instrumental chamber music that conveys...
Reviewed by David Vickers in issue: 02/2017
Opera galas are strange beasts, but this one from Baden Baden in 2016 (the booklet doesn’t give us the exact...
Reviewed by Hugo Shirley in issue: 02/2017
Rolando Villazón sings Alfredo, opposite Anna Netrebko, in what is probably one of the finest available versions of La traviata...
Reviewed by Hugo Shirley in issue: 02/2017
La scuola de’ gelosi was originally produced in Venice during the 1778/79 carnival. Haydn organised performances at Eszterháza (1780 81),...
Reviewed by David Vickers in issue: 02/2017
Puccini dismissed concerns about following a hit version of the Abbé Prévost’s Manon with his own adaptation: ‘Massenet feels it...
Reviewed by Neil Fisher in issue: 02/2017
Wexford Festival Opera is catnip for those seeking out rare repertory. It specialises in digging up long-forgotten relics and has...
Reviewed by Mark Pullinger in issue: 02/2017
The Vienna State Opera performed Hänsel und Gretel a few months after the end of the Second World War at...
Reviewed by Richard Lawrence in issue: 02/2017
Both of these one-act operas remain on the fringes of the repertoire, so any new performance or recording is worthy...
Reviewed by Andrew Farach-Colton in issue: 02/2017
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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