Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
In January Kristjan Järvi released, with his young Baltic Sea Philharmonic, a recording of his own reduction of Tchaikovsky’s Swan...
Reviewed by Hugo Shirley in issue: 12/2016
A Nutcracker is for life, not just for Christmas. Or perhaps not. Valery Gergiev has abandoned his 1998 Philips recording...
Reviewed by Mark Pullinger in issue: 12/2016
The works on this disc – part of a leisurely continuing series from CPO – date from the period between...
Reviewed by Hugo Shirley in issue: 12/2016
Norwegian orchestras have been here before…up to a point. Mariss Jansons set down two suites from Romeo and Juliet with...
Reviewed by David Gutman in issue: 12/2016
Mozart’s violin concertos are never far from the centre of any violinist’s repertoire. Written while the composer was still a...
Reviewed by David Threasher in issue: 12/2016
Hot on the heels of Jean-Efflam Bavouzet’s vivacious K453 (complete with his own cheeky cadenzas) comes Uchida’s latest instalment in...
Reviewed by Harriet Smith in issue: 12/2016
Ennio Morricone attended the same high school as the director Sergio Leone, a handy link that stood them both in...
Reviewed by Adrian Edwards in issue: 12/2016
Now approaching 60, James MacMillan is surely the most recorded of contemporary British composers and this new Onyx disc couples...
Reviewed by Richard Whitehouse in issue: 12/2016
Jongen’s friend Eugène Ysaÿe pointed out that the Symphonie concertante might better be called a symphony for two orchestras, since...
Reviewed by Jeremy Nicholas in issue: 12/2016
If I had heard these performances in concert I would doubtless have enjoyed them with few reservations. The 20-strong Australian...
Reviewed by Richard Wigmore in issue: 12/2016
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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