Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Since its foundation in 2005 the British ensemble Voces8 has drawn glowing plaudits for the impeccable quality of its balance...
Reviewed by Malcolm Riley in issue: 12/2016
Carolyn Sampson and Joseph Middleton have turned to Verlaine settings for their new album for BIS, drawing inevitable comparisons with...
Reviewed by Tim Ashley in issue: 12/2016
Sonnets from Petrarch and Shakespeare to Auden afford a wide scope of musical settings. Ben Johnson’s selection, which had its...
Reviewed by Richard Fairman in issue: 12/2016
Taking inspiration from the seasons of the Anglican year – Advent, Passiontide, Pentecost, Easter – Graham Ross and the mixed-voice...
Reviewed by Alexandra Coghlan in issue: 12/2016
With this new disc, Jonas Kaufmann offers something like a transalpine equivalent to his disc of the German repertoire popularised...
Reviewed by Hugo Shirley in issue: 12/2016
Schoenberg’s 1938 setting of the Jewish prayer of atonement certainly succeeds in its aim to ‘vitriolise out the cello sentimentality...
Reviewed by David Fanning in issue: 12/2016
The title for this disc is something of a misnomer, since none of Reger’s original works for voice and orchestra...
Reviewed by Tim Ashley in issue: 12/2016
A song describing a cat stuck up a tree, another about the smell of a printer, and (even more bizarrely)...
Reviewed by Pwyll ap Siôn in issue: 12/2016
Paul Juon (1872-1940) was born in Russia into a German-Swiss expat family and studied at the Moscow Conservatory, though from...
Reviewed by Tim Ashley in issue: 12/2016
Completed in 1904, when Jan van Gilse was only 23, Eine Lebensmesse was the work that put him on the...
Reviewed by Tim Ashley in issue: 12/2016
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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